Sunday, August 10, 2008

yukata

A yukata is a summer kimono.

Last sunday I went to my supervisors mother in law for a day of japanese culture.

It was quite remarkable!

I arrived at the house and was whisked into the shower. When I emerged I was given a beautiful midnight blue yukata with pink blooms. The family asked if I was tired, which I was and the layed a futon out for me on the enclosed porch. I lay down and fell asleep with a view of mountains and rice paddies before me. utterly idyllic.

When i woke up the family had set up all the bits and bobs necessary for a small tea ceremony in the living area - a very japanese style room with screen doors, tatami mats, a low table surrounded by cushions and, behind one door the family shrine. Above the shrine are pictures of the deceased old folk in the family.

The tea we drank is made from a lime green powder that lookslike wasabi. you place two spoons in a bowl with a long stemmed bamboo spoon and then with a larger wooden ladle you take one spoon of water from a poitjie. all the stuff is layed out on the tatami so the process is done kneeling. the tea comes out bitter and frothy like cappucino foam. to soften the flavour you eat little blocks of ssweet gritty purple jelly. kind of like that spanish persimmon stuff. tres yum.

the tea stuff was then cleared away and my supervisors sister in law brought out sheets of delicate oragami paper in an array of sorbet colours. she taught me to fold a crane. it is very complicated and the final flourish involves pulling two triangular sticky out bits that turn out to be the wings. as you pull the centre puffs up with air and all of a sudden rather than a crumpled bit of paper you have a delicate little bird. these were the cranes that Sadako folded while sick with A bomb leukemia and they have become synonymous with peace and the bomb. On the following wednesday I took my little purple crane to the Sadako memorial in Hiroshima and placed among the hundreds of thousands of others that people lay at the foot of the monument.

After craft time the family whisked me into a pair of clogs and into the car. because of the language barrier, i had to simply wait and see where it was I was going. We drove up a hill not far from the house and then walked a few hundred metres (not as hard as you would think i yukata and clogs) and arrived at what looked like a very old temple that had been decked out in swags of white cotton. makeshift wooden benches had been set up in front of an outdoor stage and surrounding the benches were little stalls - some where you could write a wish or prayer on little cards and attach them to trees outside the temple; others selling slushies; another was manned by three rather beautiful japanese boys who helped you marble thin paper that you then slipped over a frame to make little square lanterns. the boys manning the stall were not dressed in temple attire at all: they were in skinny jeans and trucker caps - the japanese juxtaposition again! they took all the lanterns that had been made an arranged them slowly and artfully around the outdoor stage, lighting them so that as the sun set on they lit up the stage. if it sounds too beautiful to be true, its because it was. a priest in big flowing pistachio pants and a crisp white shirt then took to the stage an introduced three old ladies in black pants and matchy matchy jewel coloured tops. they sat amongst the lanterns and played on three japanese stringed instuments - i cant remember what they were called but theyhave about 12 strings and multiple brigdes that the ladies would shift mid tune with their nimble plastered fingers. when they were done the pistachio pants returned and introduced a cellist (who looked about sixteen but her real age is anyone guess as everyone here looks 10-20 years younger than they really are). She wore an eloborate crimson ballgown and opened her performance with The Swan which, of course, brought me to tears.

The scene was two picturesque for my jet lagged self to comprehend: evening dusk, wooden benches crammed with old people, babies asleep in their yukaktas, boys in indie gear in front of a shimmering stage; the light dancing in the river beside us.

TOO COOL!!!

1 comment:

Anonymous said...

Hi there yukata girl! Wonderful to read abput your crane-making origami session, tea ceremony and the concert. I think the 12-stringed instrument is the shamisen.

Darryl & Shay